“MasterY and musicality”
Le Soir, May 2024
“The audience burst into spontaneous and repeated applause after the first movement, which the soloist had crowned with a brilliantly played cadenza….And where could you hear a larghetto played as divinely beautifully as by Milwidsky?” -
Süddeutsche Zeitung, 2019 (Beethoven Violin Concerto)
“The soloist, Mathilde Milwidsky, strode onto the stage and immediately established her authority with her poise and demeanour. Accompanied by the attentive conductor and orchestra, she launched into her performance with skill and dexterity.”
On the Wight News, 2025 (Chausson Poéme / Isle of Wight Symphony Orchestra)
“Mathilde milwidsky played with her accustomed, focussed charm. I’ve noticed the exceptional clarity of her playing before and here it shone creamily THROUGH the aching passion”
Susan Elkin.co.uk, 2024 (Sibelius Concerto)
"Played with superb bravura" -
Ivan Hewett, The Telegraph
“She demonstrated Real command…SPONTANEITY, colour and drama”
The Cross-Eyed Pianist, 2023
“The performance, needless to say, was a tour de force… it made this second concert in the Musica Viva Series probably the finest violin and piano duo recital heard in the city for a number of years.” -
Seen and Heard International, 2022
“What a find! Unusual poise and elegance. Her cross string work in the OPENING and closing ALLEGROS was gracefully incisive, her dOuble stopping immaculate and her rendering Of the rousing final bars packed excitement in sPades”
Lark Reviews, 2022
“Expertly played by milwidsky.. this wonderful virtuoso performance - rewarded by pretty much a standing ovation”
Musical Opinion, 2022
“London-born violinist Mathilde Milwidsky is simply terrific, her tone, tecHnique and temperament the ideal mix and balance for these works. Five stars: i’D give it teN if i could. This is one of those once-in-a-decade or more discoveries”
Fanfare Magazine, US, 2020 (Review of debut CD of Agnes Zimmermann Sonatas released on Toccata Classics)
“perfect intonation and beautiful shaping and colouring...comprehensively nailing each new stylistic and emotional universe as she went" -
Charlotte Gardner, The Strad, 2017